In the lower east side of New York City the entire graduating high school class of forty-five seniors collaborated to produce a documentary addressing fatherlessness. Featured in this documentary are four stories that illustrate the impact the presence or absence a father has on family members and community. One teen female who was never reared by her father focuses on a strong bond with her mother, while another revels in a solid relationship with her father. A fully committed teen father stands the test of time at the side of his son and daughter, while a teen male whose father left him when he was three years old lauds the relationship with his mother and an uncle who played a strong male role model in his life. An introspective look by young people on what defines a responsible father necessary to make a positive difference in his child's life.

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阿里斯蒂德从母亲那里继承了一大笔遗产，但当他在墓地遇到一位美丽的红发女郎时，他的生活发生了意想不到的变化。

Inspired by ESPN's anniversary, ESPN Films is launching 30 FOR 30, an unprecedented documentary series featuring 30 of today's finest storytellers telling thirty remarkable stories from the ESPN era. On their own, each of the films will be an intimate look at a specific story, relevant to larger themes from the modern era. Collectively, these films will be a diverse mosaic of what sports has meant to American and World culture in the last thirty years. Each storyteller will bring their passion and personal point of view to their film detailing the issues, trends, athletes, teams, rivalries, games and events that transformed the sports landscape from 1979 to 2009.

"Pas vu, pas pris" starts with a subject filmed 2 years ago ; ordered then forbidden to broadcasting by Canal + : it was "Pas vu à la télé". Bernard Benyamin, Henri de Virieux, Patrick de Carolis, Anne Sinclair, Charles Villeneuve (amongst others) appear before the candid camera of Pierre Carles, for once subjected to an investigation that concerns their profession. After proclaiming that there is no taboo subject on television, they discover a pirate document showing Étienne Moujeotte and François Léotard in a business discussion about the destinies of TF1. Question asked : would they have agreed to broadcast this document and if not, why not ? The investigation itself is objectively searching : anything can be said on TV except one thing, the more or less close collusion of journalists and the political powers. Pierre Carles gives us a sharp reflection on the scope of this "fourth power" that the media have become, and on the compromises of those who are its masters.